Conception to Collection

TruroPainting

Painting on Location at Truro Vineyards

Plein Air painting creates a connection between the artist and the environment where the artist is painting. There is an immediate relationship and a sense of place to the natural environment that cannot always be duplicated from a studio painting from a photo. This painting of Truro Vineyards on Cape Cod in Truro, MA. was selected by a collector. It is such a compliment for an artist to have a piece of work chosen for a home.

TruroVineyards

“Truro Vineyard”, pastel, 11×14

There is an intangible quality of interaction between the artist and a scene which goes beyond reporting of the visual elements and a painting.  I would like to think that the collector senses that expression when they choose to place a painting in their environment.

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On location at Fort Hill, Cape Cod National Seashore

What a perfect day for painting it was at Fort Hill in Eastham, MA in the Cape Cod National Seashore! This photo shows the beginning of the painting that was inspired by the patterns of the water and wetlands at the shore. I was interested in capturing the clouds in the sky and the colorful wildflowers as beach peas in the foreground.

SummerSong

“Summer Song”, pastel 12×16

Why do collectors choose certain paintings to hang on their walls?  Perhaps that the image reminds them of a memory.  When the weather is cloudy and not the best day for exploring the area, maybe the painting transports them to a special place and time.  It is an intangible quality, but for the selection, I am grateful. I hope to have painted something that brings joy.

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Raise The Roof

The roof line on the right of the house in my painting, “Yellow House in the Vineyard” got a repair. In my last post the house appeared to be falling into the ground. I raised the roof line on the sun porch and tweaked the area of the vineyard that overlapped that house. This is the beauty of working in pastel which is a very forgiving medium. It was a simple fix that involved removing the initial marks with a soft bristle brush before applying strokes of pastel. Here is the original that needed to be adjusted. I think the painting above is an improvement.

 

 

Yellow House in Vineyard

"Yellow House in Vineyard", pastel 11x14

“Yellow House in Vineyard”, pastel 11×14


The yellow house in the vineyard caught me eye one day when I was out on my usual walking route. I returned with my painting gear of pastels and set up my easel at the edge of the vineyard last week. Soon, the growth on the grapevines will be pruned to stimulate the growth for the next season. I wanted to catch the vines at their wilder state despite the challenge of depicting the tangled vines. Of course, there is always room for artistic license.
On location in the vineyard

On location in the vineyard


Painting Notes: Some of the background was simplified, so the focus was on the main elements of the scene, the barn, house, and rows of vines. To avoid a tangent of the barn roof and distant hills which, I added some height to the hills. Otherwise, the plein air painting is an accurate interpretation of the scene.
Technical Notes: Pastels by Terry Ludwig, Rembrandt, Sennelier, Nu Pastel, and Conte Pastel Pencils on La Carte Sanded Paper.

Harvest Moon Vineyard

Reference Photo Harvest Moon Vineyard

Reference Photo Harvest Moon Vineyard


It was this reference photo of a beautiful moon rising over a vineyard near my home in Livermore, California that inspired my painting. The soft pastel color of the sky contrasted with the strength of the vertical tree and vines.
Mid Stage Harvest Moon Vineyard

Mid Stage Harvest Moon Vineyard


I adjusted some of the color of the vines for visual interest. Also some of the color in the sky and outline of the distant hills were tweaked due to composition and value. This painting is included in a group pastel show at the Orinda Public Library.

“Harvest Moon Vineyard”, pastel, 12×18


Technical Notes: Wallis Sanded Paper (Belgian Mist), Various pastel brands, NuPastel, Rembrandt, Unison, Sennelier, Terry Ludwig, and Conte Pastel Pencils.

Grapes to Wine

"Between the Vines", pastel, 18x24 “Between the Vines”, pastel, 18×24

The exhibit “Grapes to Wine in Art” is on display at the Livermore Library. My pastel, “Between the Vines” is included in the gallery show which is one of the programs related to wine country living. The event pairs art, the book, “A Good Year” by Peter Mayle, movies, lectures, and geocaching that involve the community with all things wine related. It was good to see so many at last night’s artist reception enjoying the variety of art. The show features pastel, watercolor, oil and acrylic paintings, photographs, collage, and painted ceramics.

“Between the Vines” is a studio painting inspired by a spring scene at a local Livermore vineyard. I was drawn to the profusion of wildflowers between the rows at Wood Family Vineyards. The vines shown with perspective awaited pruning and reached to the clouds in the sky.

Painting notes: landscape with one point perspective on Wallis museum paper. I used an underpainting of pastel washed down with water.