Seaside Daisies

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My location on Cape Cod

How perfect on a summer day to paint daisies growing beside the sea! Before the rush of summer at the beach, I spent a few quiet hours on the bayside of Cape Cod capturing this scene.

Daisies have long been one of my favorite flowers.  There is something about their simplicity that speaks to me. In the language of flowers daisies symbolize innocence and purity.  In Norse mythology the daisy is Freya’s sacred flower. She is the goddess of love, beauty, and fertility. The daisy represents motherhood or new beginnings. It is appropriate that at the beginning of summer, I painted “Seaside Daisies”.

Seaside Daisies pastel

“Seaside Daisies”, pastel, 11×15

Daisies are a challenge to paint in such a way that they do not resemble the many flowers in crayon of our childhood. I tried to capture the clumps of flowers before me and the general sense of the scene. I will remember this peaceful and beautiful location as I stood at the edge of the changing sea. Before long, I heard the waves as the tide shifted from low to high and the daisies nodded in the breeze.

Technical Notes: Sennelier LaCarte pastel paper, Pastels by Terry Ludwig, Sennelier, Unison, Girault, and Conte pencils.

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Beach at Cahoon Hollow

Cahoon Hollow in Wellfleet, Massachusetts is one of the most popular beaches of the Cape Cod National Seashore.  There is a steep path down the 75 foot cliff to the beach on the outer arm of Cape Cod. The dramatic cliff collapsed in a  severe rainstorm last fall taking a vehicle with it, but it has since been repaired.  The Beachcomber, a seaside bar at the top of the cliff is part of the beach experience of Cahoon Hollow.

Working from a photo taken in summer, I began the painting of the beach with an alcohol underpainting on sanded pastel paper. This technique is useful when depicting waves that cover the sand on the shore.

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In Process – Cahoon Hollow

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Cahoon Hollow, pastel, 9×12

It is always a challenge to try to capture the motion of the ocean’s surf.  This alcohol wash technique aids in setting the lower layers of sand below the shallow water. I look forward to future paintings of the ocean at the Cape Cod National Seashore.

Technical notes: UArt #400 Sanded Pastel Paper, various pastels including Unison, Terry Ludwig, Girault, Rembrandt, Nu Pastel, and Conte Pastel Pencils. 70% Alcohol.

Corn Hill Beach

“Corn Hill Beach”,11×14, plein air pastel


The days of summer on the Cape are just memories now, but I finally have a moment to post some of my paintings done on locations where artist, Edward Hopper painted in the 1930’s. He spent half of his summers in a home studio in Truro, MA on the outer Cape. He painted Corn Hill which is a long, narrow sand beach which borders grass covered sand dunes that is north of Pamet Harbor. Corn Hill is named for the location where the Pilgrims found a cache of Indian corn which sustained them through the first winter.
On location at Corn Hill Beach

On location at Corn Hill Beach


Often the experience of plein air painting is more than the created image. When I look at this piece it brings back the warmth of the summer day at the beach, the sounds of music from the group of beachgoers, and the scent of sunscreen covered bodies. These are sweet memories to sustain me until the next summer season.
Painting notes: Ampersand pastel board (11×14) with a variety of pastels from NuPastels, Conte Pastel pencils, Rembrandt, Unison, and Terri Ludwig brand pastels.

Wellfleet Plein Air

“Capturing Wellfleet” is a plein air painting event that is sponsored by the Addison Art Gallery and showcased at the Wellfleet Public Library. I was one of 24 artists who painted on locations around Wellfleet which is a town on the Outer Cape of Cape Cod. For an artist, Wellfleet combines beautiful landscapes of its protected harbor and quality art galleries.
On Friday I set up my French easel near the pier and painted the scene before me as interested passers-by stopped by to watch the progress.

"Capturing Wellfleet",  See top Right

“Capturing Wellfleet”,
See top Right


It was a beautiful day for painting outdoors. The changing tide exposed more sandbars in addition to boats that continued to move provided more than enough challenges to the ever progressing light of day.
"Wellfleet Morning", pastel 11x14

“Wellfleet Morning”, pastel 11×14


Plein air painters need to work quickly to photograph, frame, and ready the work for a show. When the public arrived at the Wellfleet Library for the Saturday night reception the room was filled with art supporters, refreshments, and the music of a jazz piano. The show and plein air demonstrations continues through Aug.1st.
"At the Pier", pastel, 11x14

“At the Pier”, pastel,
11×14


Top right, "At the Pier"

Top right,
“At the Pier”