Seaside Daisies

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My location on Cape Cod

How perfect on a summer day to paint daisies growing beside the sea! Before the rush of summer at the beach, I spent a few quiet hours on the bayside of Cape Cod capturing this scene.

Daisies have long been one of my favorite flowers.  There is something about their simplicity that speaks to me. In the language of flowers daisies symbolize innocence and purity.  In Norse mythology the daisy is Freya’s sacred flower. She is the goddess of love, beauty, and fertility. The daisy represents motherhood or new beginnings. It is appropriate that at the beginning of summer, I painted “Seaside Daisies”.

Seaside Daisies pastel

“Seaside Daisies”, pastel, 11×15

Daisies are a challenge to paint in such a way that they do not resemble the many flowers in crayon of our childhood. I tried to capture the clumps of flowers before me and the general sense of the scene. I will remember this peaceful and beautiful location as I stood at the edge of the changing sea. Before long, I heard the waves as the tide shifted from low to high and the daisies nodded in the breeze.

Technical Notes: Sennelier LaCarte pastel paper, Pastels by Terry Ludwig, Sennelier, Unison, Girault, and Conte pencils.

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How to Paint in Pastel Beside an Arroyo

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“Arroyo Del Valle”, pastel, 11×14

Before I set out to paint on location beside an arroyo, I packed all the necessary items. First, I chose mounted UArt 400 as my support and cut a piece of glassine to fit the 11×14 pastel paper and placed it in an envelope inside my messenger bag. Also in the bag I packed my assortment of pastel in my Heilman Box, my zipper kit of tools, a small bottle of denatured alcohol, paper towels, and some water.

 

 


I found a place to paint at at Sycamore Grove Park located on Arroyo Road in Livermore which is close to home. Initially, I was drawn to some wild flowers by a stream, but there was a noisy group of school kids on a nature walk, so I moved to a woodland area beside the arroyo.

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Start of “Arroyo Del Valle”

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Easel on site at “Arroyo Del Valle”

After blocking in the basic elements of the scene as trees, stream, plants, and undergrowth, I washed it down with alcohol which adds color, but does not use up any of the tooth of the paper. I continued to add color while remembering to use a range of light, middle, and dark values of each hue. It was challenging to represent the tangled web of branches and trees. Since this was a plein air piece, I simplified the stream by omitting a few of the rocks. Although the color of the water was quite a dull olive green, I enhanced the color by adding a bit more blue and some light purples.

After a few hours when the light on the stream had changed, I packed up my gear. Later, I added a few details to the painting back in the studio.

Let me know if you have any questions or comments about painting beside an arroyo.
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Flower Power

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“Lupine, Poppies, and Rocks”, pastel, 12×16

Despite the stormy January weather, flowers have the power to brighten the dark days of winter. My painting, “Lupine, Poppies, and Rocks” caught the eye of juror, Peggi Kroll-Roberts at the Delicato Winery Show in Manteca, California. It received an honorable mention in the show which is on exhibit January 11 – February 4, 2017.  The artist reception  will be held on February 4th.  What is not to like about art, wine, and appetizers?

Technical notes: Rembrandt, Unison, Terry Ludwig, NuPastels, and Conte pastel pencils on U Art 400 sanded pastel board.  A few photo references  were taken while on a hike at nearby Brushy Peak in Livermore, CA last spring.

 

Next Trip Around the Sun

"Lake Tahoe Sunset", 19x25, pastel “Lake Tahoe Sunset”, 19×25, pastel
It is a new year and with it comes a new show. I am part of a group show at the Danville Theatre Art Gallery that opens on January 9 and runs through February 28, 2015. The show features my work and that of fellow pastel artists Ruth Hussey, Mark Mertens, Pat Suggs, Debbie Wardrope. The theme of the show is “Romantic Expressions in Pastel.” Whether or not my work is viewed as “romantic” will be the judgement of the viewers. But, I do know that I need to feel a tug of the heart to commit to a painting and all that is involved.
“Lake Tahoe Sunset” was inspired by the view from the overlook on the Mt. Rose highway between Incline Village and Reno last October. It was an ‘ah-ha’ moment when viewers stopped and took in the magical display of light and color in the sky and on the lake. My reference photo served to remind me of it. I used Sennelier La Carte sanded paper which seems to work well for the clouds in the sky. My pastels included a variety of Unisons, Terry Ludwigs, Giraults, Rembrandts, and NuPastels.