Lace, Lighthouse, & Links

EaselHighlandLt

Easel at Cape Cod Nat’l Seashore Highland Links, Truro, MA

Wildflowers in the windswept meadow in the rough of the links course by the Highland Light in Truro caught my eye. The Highland Links dates to 1892. Several artists were painting Cape Cod’s oldest lighthouse which dates to 1857 for the Light on Truro painting event. I chose to focus my attention on the natural beauty of the Cape Cod National Seashore, rather than the architecture of the lighthouse. A sliver of the blue ocean beyond the trees balanced the blue of wild chickory and Queen Anne’s Lace in the foreground. This scene beside the Highland Historical Museum is a reminder of a bygone era when the building was a turn of the century resort hotel on the Outer Cape.

I had a clear vision of the image that I wanted to capture in my painting. Soon I felt I had enough information to sign and frame the piece for an exhibit that afternoon at the Truro Library by the Addison Art Gallery called “Light On Truro”. The exhibit celebrates the Centennial of the National Parks and “Found Our Park!” which features art inspired by the Cape Cod National Seashore. “Queen Anne’s View” is available through the Addison Art Gallery.

QueenAnneView

Queen Anne’s View, pastel, 12×16

Technical Notes: Sennelier LaCarte pastel card with a variety of pastels by Rembrandt, Unison, Terry Ludwig, Girault, Sennelier, and Conte pastel pencil.

Grapes to Wine

"Between the Vines", pastel, 18x24 “Between the Vines”, pastel, 18×24

The exhibit “Grapes to Wine in Art” is on display at the Livermore Library. My pastel, “Between the Vines” is included in the gallery show which is one of the programs related to wine country living. The event pairs art, the book, “A Good Year” by Peter Mayle, movies, lectures, and geocaching that involve the community with all things wine related. It was good to see so many at last night’s artist reception enjoying the variety of art. The show features pastel, watercolor, oil and acrylic paintings, photographs, collage, and painted ceramics.

“Between the Vines” is a studio painting inspired by a spring scene at a local Livermore vineyard. I was drawn to the profusion of wildflowers between the rows at Wood Family Vineyards. The vines shown with perspective awaited pruning and reached to the clouds in the sky.

Painting notes: landscape with one point perspective on Wallis museum paper. I used an underpainting of pastel washed down with water.

Next Trip Around the Sun

"Lake Tahoe Sunset", 19x25, pastel “Lake Tahoe Sunset”, 19×25, pastel
It is a new year and with it comes a new show. I am part of a group show at the Danville Theatre Art Gallery that opens on January 9 and runs through February 28, 2015. The show features my work and that of fellow pastel artists Ruth Hussey, Mark Mertens, Pat Suggs, Debbie Wardrope. The theme of the show is “Romantic Expressions in Pastel.” Whether or not my work is viewed as “romantic” will be the judgement of the viewers. But, I do know that I need to feel a tug of the heart to commit to a painting and all that is involved.
“Lake Tahoe Sunset” was inspired by the view from the overlook on the Mt. Rose highway between Incline Village and Reno last October. It was an ‘ah-ha’ moment when viewers stopped and took in the magical display of light and color in the sky and on the lake. My reference photo served to remind me of it. I used Sennelier La Carte sanded paper which seems to work well for the clouds in the sky. My pastels included a variety of Unisons, Terry Ludwigs, Giraults, Rembrandts, and NuPastels.

Sunday’s Bouquet

Sunday's Bouquet.

From the mountains to the Livermore Valley…

 

After painting on location at about 11,750 feet for an hour and a half,  it was time to head back down the trail.   Fortunately, I had secured the painting between the foamboard, as the usual afternoon clouds brought rain half way back to the trail head. 

Several months passed before I returned to work on the pastel back in my studio in California. There is nothing to compare with working on location.  But, with some photos for reference I was able to complete the painting started in the mountain meadow.

"Sitting With Columbine"