Plein Air in a Barn ?

Barn at Hagemann

“Barn at Hagemann Ranch”, pastel, 11×15

I joined a group of plein air painters and the California Art Club who were painting on location at the Hagemann Ranch, which is listed on the National Historic Register in Livermore, CA . It was an overcast day a few weeks ago that turned to rain. Pastels and La Carte paper need to be sheltered from the elements, so I positioned my easel inside one of several barns on the ranch with a view of another barn outside the doorway.

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Photo of Hagemann Ranch Barn, Livermore, CA

The actual scene in the foreground was a vacant parking area, so to improve the composition and to create a lead in I used some artistic license. I created a pathway into the scene surrounded by dry grasses in a warm tone which contrasts with the cooler tones of the barn.

Although, I was painting in the shelter of a barn, since I painted most of this piece on site, I consider this a plein air painting. Do you agree?

Technical notes:
Sennelier La Carte paper, Pastels by Terry Ludwig, Sennelier, Unison, Rembrandt, NuPastels, and Conte pastel pencils.

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Abundance

fountainsketch

Livermore Fountain, ink and watercolor sketch

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Early stage -Photo on location

There has been a drought in California. There has been a shortage of posts on this blog in addition to the severe lack of precipitation. Despite the drought, this fountain in the heart of downtown Livermore, California continues to put forth cascades of water. It once seemed like an excess when the average resident was going to great lengths to conserve the precious water. My worries were put at ease when I learned that the fountain used recycled water. The symbol of abundance in the Livermore Valley was a challenge to capture in this sketch. I see several errors in the structure of the trellis, but I tell myself that this is a sketch. The goal is not to make a completely accurate rendering, but rather capture the essence of the scene. I hope that was achieved.

Lake Tahoe Test

Lake Tahoe Test

Test Strip and Reference Photo for” Lake Tahoe Afterglow”

To plan my color palette for a new pastel painting,  I began testing colors of various pastel sticks on a strip of  Uart 400 sanded pastel paper. It seemed like a natural approach to interpret a narrow strip from the reference photo. Later, I realized that testing the exposure in a narrow strip was a method that I used in black and white darkroom photography many years ago. It also seemed to translate into planning a pastel painting.

The reference photo was captured on the north shore of Lake Tahoe one October evening just after the sun had slipped  behind the mountains. My challenge in this painting will be to capture the afterglow in the sky and the reflected color on the lake.  I plan to emphasize the landscape format using  non standard dimensions.  I will post more on the painting when it is complete.

 Technical Notes: Pastel brands – NuPastel, Rembrandt, Sennelier, Schminke, Terri Ludwig. Uart 400 Pastel Paper.