Spring Forward/Fall Back

It’s the first day of spring, yet I am falling back to a painting of autumn. There is a natural lag of time between the inspiration from a season to the completion of a painting. Perhaps I am like the fashion industry which seems to have the timing of the seasons out of synch with the actual outdoor temperature.  Either I am ahead of my time or behind the time. I’ll let you decide.

I was inspired by the warm colors or red, rusts, amber, and golden leaves of the vineyard north of the Wood Family Vineyard  near our home in Livermore, California one early December. It was a bold painting for me, but it was time to ramp up my color palette.  When I felt confused by interpreting the similar values of foliage with, I used a technique to isolate the area where I was working. It was helpful to block out the surrounding color, and concentrate on a particular area of the foliage on the vineyard.

Below:  See close-up of technique of isolating an area of the photo to get the values of the foliage of the vineyard.

FallIFocus

Technical Notes:  UArt 400 sanded pastel paper mounted on Canson board.  Unison, Rembrandt, Sennelier, Terry Ludwig, and Girault pastels.

AutumnGlow

This painting is being exhibited at Wente Vineyards Estate Tasting Room in Livermore, California along with 16 other paintings through March.

 

 

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Grapes to Wine

"Between the Vines", pastel, 18x24 “Between the Vines”, pastel, 18×24

The exhibit “Grapes to Wine in Art” is on display at the Livermore Library. My pastel, “Between the Vines” is included in the gallery show which is one of the programs related to wine country living. The event pairs art, the book, “A Good Year” by Peter Mayle, movies, lectures, and geocaching that involve the community with all things wine related. It was good to see so many at last night’s artist reception enjoying the variety of art. The show features pastel, watercolor, oil and acrylic paintings, photographs, collage, and painted ceramics.

“Between the Vines” is a studio painting inspired by a spring scene at a local Livermore vineyard. I was drawn to the profusion of wildflowers between the rows at Wood Family Vineyards. The vines shown with perspective awaited pruning and reached to the clouds in the sky.

Painting notes: landscape with one point perspective on Wallis museum paper. I used an underpainting of pastel washed down with water.