Conception to Collection

TruroPainting

Painting on Location at Truro Vineyards

Plein Air painting creates a connection between the artist and the environment where the artist is painting. There is an immediate relationship and a sense of place to the natural environment that cannot always be duplicated from a studio painting from a photo. This painting of Truro Vineyards on Cape Cod in Truro, MA. was selected by a collector. It is such a compliment for an artist to have a piece of work chosen for a home.

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“Truro Vineyard”, pastel, 11×14

There is an intangible quality of interaction between the artist and a scene which goes beyond reporting of the visual elements and a painting.  I would like to think that the collector senses that expression when they choose to place a painting in their environment.

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On location at Fort Hill, Cape Cod National Seashore

What a perfect day for painting it was at Fort Hill in Eastham, MA in the Cape Cod National Seashore! This photo shows the beginning of the painting that was inspired by the patterns of the water and wetlands at the shore. I was interested in capturing the clouds in the sky and the colorful wildflowers as beach peas in the foreground.

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“Summer Song”, pastel 12×16

Why do collectors choose certain paintings to hang on their walls?  Perhaps that the image reminds them of a memory.  When the weather is cloudy and not the best day for exploring the area, maybe the painting transports them to a special place and time.  It is an intangible quality, but for the selection, I am grateful. I hope to have painted something that brings joy.

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Seaside Daisies

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My location on Cape Cod

How perfect on a summer day to paint daisies growing beside the sea! Before the rush of summer at the beach, I spent a few quiet hours on the bayside of Cape Cod capturing this scene.

Daisies have long been one of my favorite flowers.  There is something about their simplicity that speaks to me. In the language of flowers daisies symbolize innocence and purity.  In Norse mythology the daisy is Freya’s sacred flower. She is the goddess of love, beauty, and fertility. The daisy represents motherhood or new beginnings. It is appropriate that at the beginning of summer, I painted “Seaside Daisies”.

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“Seaside Daisies”, pastel, 11×15

Daisies are a challenge to paint in such a way that they do not resemble the many flowers in crayon of our childhood. I tried to capture the clumps of flowers before me and the general sense of the scene. I will remember this peaceful and beautiful location as I stood at the edge of the changing sea. Before long, I heard the waves as the tide shifted from low to high and the daisies nodded in the breeze.

Technical Notes: Sennelier LaCarte pastel paper, Pastels by Terry Ludwig, Sennelier, Unison, Girault, and Conte pencils.

Dreams of A Traveling Palette Come True

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Artist Group in Italy with
Teresa Saia

An artist’s dream of traveling and painting in Italy can come true. The first step to making this a reality is to choose an artist whose paintings you admire and with whom you would like to travel and paint. There are many postings in artist journals, but my idea came when I received a postcard from Teresa Saia and the Traveling Palette. I had taken a few watercolor and pastel workshops with Teresa in the past. Perfect. Let’s go!

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Welcome Dinner in Italy with Teresa Saia

A Welcome dinner was a perfect way for the group to get acquainted before traveling and painting together for 14 days. Enjoying each other’s company over a meal and a glass of wine was as essential as artist’s supplies during the trip.

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Teresa’s Traveling Palette

Sometimes the weather doesn’t cooperate, so artists enjoyed an afternoon with their traveling palettes.

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Plein Air Start of Watercolor in Tuscany

The small village of Chiusdino in Tuscany (population 1,944) was a beautiful and quiet spot to begin a plein air watercolor.

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Watercolor Mid Process

I was able to paint the sky and begin to capture the hills and buildings in the distance before it was time for the group to catch our bus back to our villa. But, the opportunity to paint on site in this beautiful setting will also bring back wonderful memories.

Although, I completed the painting after the trip, I am grateful for the opportunity to experience painting in Italy first hand with the Traveling Palette. Yes, dreams can come true!

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“Chiusdino View”, watercolor, 10×14

 

How to Paint in Pastel Beside an Arroyo

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“Arroyo Del Valle”, pastel, 11×14

Before I set out to paint on location beside an arroyo, I packed all the necessary items. First, I chose mounted UArt 400 as my support and cut a piece of glassine to fit the 11×14 pastel paper and placed it in an envelope inside my messenger bag. Also in the bag I packed my assortment of pastel in my Heilman Box, my zipper kit of tools, a small bottle of denatured alcohol, paper towels, and some water.

 

 


I found a place to paint at at Sycamore Grove Park located on Arroyo Road in Livermore which is close to home. Initially, I was drawn to some wild flowers by a stream, but there was a noisy group of school kids on a nature walk, so I moved to a woodland area beside the arroyo.

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Start of “Arroyo Del Valle”

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Easel on site at “Arroyo Del Valle”

After blocking in the basic elements of the scene as trees, stream, plants, and undergrowth, I washed it down with alcohol which adds color, but does not use up any of the tooth of the paper. I continued to add color while remembering to use a range of light, middle, and dark values of each hue. It was challenging to represent the tangled web of branches and trees. Since this was a plein air piece, I simplified the stream by omitting a few of the rocks. Although the color of the water was quite a dull olive green, I enhanced the color by adding a bit more blue and some light purples.

After a few hours when the light on the stream had changed, I packed up my gear. Later, I added a few details to the painting back in the studio.

Let me know if you have any questions or comments about painting beside an arroyo.
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