Lace, Lighthouse, & Links

EaselHighlandLt

Easel at Cape Cod Nat’l Seashore Highland Links, Truro, MA

Wildflowers in the windswept meadow in the rough of the links course by the Highland Light in Truro caught my eye. The Highland Links dates to 1892. Several artists were painting Cape Cod’s oldest lighthouse which dates to 1857 for the Light on Truro painting event. I chose to focus my attention on the natural beauty of the Cape Cod National Seashore, rather than the architecture of the lighthouse. A sliver of the blue ocean beyond the trees balanced the blue of wild chickory and Queen Anne’s Lace in the foreground. This scene beside the Highland Historical Museum is a reminder of a bygone era when the building was a turn of the century resort hotel on the Outer Cape.

I had a clear vision of the image that I wanted to capture in my painting. Soon I felt I had enough information to sign and frame the piece for an exhibit that afternoon at the Truro Library by the Addison Art Gallery called “Light On Truro”. The exhibit celebrates the Centennial of the National Parks and “Found Our Park!” which features art inspired by the Cape Cod National Seashore. “Queen Anne’s View” is available through the Addison Art Gallery.

QueenAnneView

Queen Anne’s View, pastel, 12×16

Technical Notes: Sennelier LaCarte pastel card with a variety of pastels by Rembrandt, Unison, Terry Ludwig, Girault, Sennelier, and Conte pastel pencil.

Japanese Iris Garden

Iris Garden Entry, pastel, 11 x 16

 

The Japanese Iris at the entryway of the Cape Cod Art Association caught my eye on a June afternoon for plein air painting. I loved the deep blues and purples against the many greens. The garden scene was fairly complex with bouganvillea, lilac, and azalea combined with the light and shadow patterns of the weathered shingled wall. There were areas of bright sunlight and deep shadow by the entrance. I am focusing on painting stronger light and shadow and this was a good opportunity for this. I omitted the sculptures on the right and cropped the trellis at the top for emphasis and composition.

Painting notes: Uart #400 Pastel Paper; Pastels – NuPastels, Rembrandt, Terry Ludwig, Unison, and Conte and Carbotello Pastel Pencils. Underpainting of 91% Isopropyl Alcohol.  (See underpainting below:)

IMG_1014

 

IMG_1010

Photo of Iris Garden Entry

By the Sea

EaselbytheSea

Easel at Mayo Beach for After Hopper in Wellfleet, MA

The Paint Out for  Addison Art Gallery’s “After Hopper” in Wellfleet, MA was last Saturday. The event celebrates the artist Edward Hopper and continues the tradition of plein air painting iconic images of Cape Cod. I chose Mayo Beach and the oil house behind what was once the Mayo’s Beach Lighthouse on Kendrick Avenue. The pink and white beach roses which surround the simple painted brick outbuilding were in full bloom. Artists had the morning to paint and then deliver the finished work to the Wellfleet Public Library for an afternoon reception. This is often called a Quick Draw at other plein air paint outs.

ThumbnailBytheSea

Thumbnail sketch for “By the Sea”

I planned my composition with a quick thumbnail sketch. With only a few hours to work from concept to completion, I thought the simple building that originally held the oil for the lighthouse would make for good painting that could feature the simple beauty of the Cape scene. The race against the clock is helpful to push me to capture the essence of the view and not get caught up in overworking a painting. I used the broken split rail fence that was surrounded by the roses as a directional element to draw the viewer into the focal point.

I finished the pastel, framed it, and delivered it to the Wellfleet library to be hung for the reception to be held from 4 to 6 pm.  Soon I was rewarded for my morning’s work, when a new collector chose “By the Sea” for a gift for his wife. I have memories of a beautiful day by the sea.

ByTheSea

“By the Sea”, pastel, 11×14, private collection

Raise The Roof

The roof line on the right of the house in my painting, “Yellow House in the Vineyard” got a repair. In my last post the house appeared to be falling into the ground. I raised the roof line on the sun porch and tweaked the area of the vineyard that overlapped that house. This is the beauty of working in pastel which is a very forgiving medium. It was a simple fix that involved removing the initial marks with a soft bristle brush before applying strokes of pastel. Here is the original that needed to be adjusted. I think the painting above is an improvement.

 

 

Afterglow

Afterglow Lake Tahoe Afterglow, Lake Tahoe, pastel, 12×18
 

Last month I posted about my planning for a sunset painting of Lake Tahoe which I have titled, “Afterglow, Lake Tahoe”. As I look at the image on my computer, I think the subtle colors don’t always translate from what I see in the actual painting. The challenge for me was depicting the lake with its gentle waves as they approached the shore. Also, the nuances of color needed to interpret the scene were another issue.

With a critical eye, I think that the painting interprets the feeling and glow that attracted me to the scene. I do think that there might be more visual interest in the foreground. My resident art critic husband always questions the lack of wildlife in my work. But, I often think that the meditative or Zen quality doesn’t require this addition. If I had to critique the composition, I might have preferred to paint in a more elongated landscape ratio, rather than the standard 12×18 that I used.

Harvest Moon Vineyard

Reference Photo Harvest Moon Vineyard

Reference Photo Harvest Moon Vineyard


It was this reference photo of a beautiful moon rising over a vineyard near my home in Livermore, California that inspired my painting. The soft pastel color of the sky contrasted with the strength of the vertical tree and vines.
Mid Stage Harvest Moon Vineyard

Mid Stage Harvest Moon Vineyard


I adjusted some of the color of the vines for visual interest. Also some of the color in the sky and outline of the distant hills were tweaked due to composition and value. This painting is included in a group pastel show at the Orinda Public Library.

“Harvest Moon Vineyard”, pastel, 12×18


Technical Notes: Wallis Sanded Paper (Belgian Mist), Various pastel brands, NuPastel, Rembrandt, Unison, Sennelier, Terry Ludwig, and Conte Pastel Pencils.